An Unorthodoxy Review of the Netflix movie "Leave The World Behind (LTWB)"
Exploring Overlooked Themes in the Movie Dominated by Conspiratorial Rhetoric
The current number one movie on Netflix is “Leave the World Behind,” starring Julia Roberts, Maharsha Ali, and others. The Obamas produced this movie, and it’s getting a lot of attention in the mainstream media. The conspiratorial themes in the film are causing a lot of buzz among viewers.
In this review, we’ll look at the movie and explore those aspects. We’ll also discuss where the movie attempts to take us and what most people seem to be missing out on.
So, without further ado, let’s dive into this unorthodox review of LTWB.
An Agenda Pushing Bad Movie
To begin with, this movie could have been better. It received a low star rating and bad reviews, making it mediocre at best.
I would argue that the low rating is due to the movie’s story, writing, and pacing being all over the place and seeming disjointed. For example, the daughter and the BLM-themed “white people are evil” don’t match the sexual tension presented while poolside with the husband. And then, you have the same tension with Roberts and Ali that’s forced and grounded in no sense of reality.
To be clear, it’s not rated bad due to it being a thriller movie. However, this does bring into question what the purpose of such a thriller movie would be. Movies have gone from positive, enjoyable, refreshing experiences — that took the viewer on amazing trips like older movies like “A Land Before Time” or the hero always wins (my personal favorite genre) “Mission Impossible” — to leaving us in dark places with matters weighing on our souls.
Unfortunately, this is the negative aspect of how movies are supposed to be. And in today’s political agenda, we see the ancient art of mimesis in full effect. You compromise a good story to push agendas, throwing off the flow. With drawn-out monologues and offbeat lines, LTWB focused more on an agenda than a story.
The production quality of the movie was good. The visuals, shots, coloring, and lighting were all appealing. This “beautiful product but horrible writing” scenario is a common problem in modern film because the focus is more on pushing ideologies rather than telling a good story.
And so we must realize that movies are no longer just movies but are used as platforms to push ideas. When we watch such movies, we should pay attention to the occult information and the underlying message rather than just the story. That is the crux of the matter.
Real Conspiracies vs Distraction Conspiracies
The movie has gained a lot of attention due to its conspiratorial nature. Many of the various conspiracies discussed are captured on the website movieweb.com.
Interestingly, this mainstream article does not disprove any of the conspiracies but acknowledges and provides background into the meaning. Examples included the demon God Baal and the number 666.
This scenario shows that the spread of information, whether factual or fantasy, can have a powerful impact on society and be used as a tool or a weapon. This sets up the “learning against learning” phenomenon due to the vast amount of “information” out there. I have discussed this in previous articles, like the Addicted to Information piece and on Alex Jones and Socrates. This movie (LTWB) was used to provide a lot of information to the public, and there are multiple ways to interpret the information provided.
But starting right off the bat, we need to realize that in Hollywood, things don’t happen by coincidence. There is always a reason behind everything they do. Once we understand this, we must ask ourselves why they used the name Baal, a demonic God, in the marketing. And why did they include the number 666 in the movie? Why pay homage to these entities and elements?
PS: Let’s not forget the phrase “There’s no going back to normal,” which is very similar to the pandemic phrase, “This is the new normal.”
The truth is Hollywood is a place where evil forces are often invoked. It’s no secret that actors like Damson Idris openly admit to invoking the devil, while others like Doja Cat are involved in satanic practices. These instances are a reality that we cannot ignore. The book “Esoteric Hollywood” talks about this conspiratorial nature of Hollywood and sheds light on the entertainment industry’s dark side, as analyzed by Jay Dyer.
We must acknowledge that by taking in such entertainment, we expose ourselves to demonic influences from Hollywood because that’s what Hollywood is supposed to do — impart to us such themes, e.g., the dark, negative aspects that weigh on one’s soul. Hence, we must be cautious about the movies we watch, the music we listen to, and their impact on our divine nature. This reality is one aspect of the movie that needs to be called out.
So, while many other conspiracies and ideas are being discussed mainstream, let’s first break down those mainstream fallacies and focus on the movie’s true nature that many aren’t discussing. By starting with mainstream theories, we must realize that many of these should be facts, not conspiracies.
For instance, it’s still discussed as if it’s a known event that humans have landed on the moon. Let’s be clear — it’s 2023, and we know no one has been to the moon. Elon, NASA, and SpaceX are nothing more than black budget fronts.
Another topic to be discussed is the atomic bomb. Interestingly enough, the Oppenheimer movie was recently released, reinforcing the idea and narrative of such a weapon as the atomic bomb.
Just to clarify, there is no such thing as an atomic bomb. Such a weapon is propagated to be part of an elaborate narrative campaign that terrorizes humanity due to its potential risk.
Similar to significant accomplishments like walking on the moon, narrative doomsday scenarios like atomic bombs are also prevalent. This is the power of narratives and how they can, in fact, create desired realities. What happened in Japan was an actual bombing. Still, hidden under the guise of terrorizing people, the narrative is that this was an example of the destructive power of atomic and radioactive weapons.
Bombs are real, but atomic bombs? The jury is still out.
LTWB does touch on the electrical grid, but aside from the doomsday scenario of the world going offline, this actual aspect of reality is receiving little attention. Throughout the movie, we see the effect of the electrical grid on the animals. Yet, from the mainstream perspective, we have yet to acknowledge that since humanity started using electricity, we have negatively impacted the earth’s electrical grid, which affects both our plants and animals.
This destruction of nature is the topic of discussion in the first chapter of my book, which examines
Book, “The Invisible Rainbow,” — the number one best seller on Amazon in Technology Safety and Health, discussing humanity’s impact on earth via electricity.
The opening chapter of my book highlights the real conspiracy happening in our world, which is related to electricity. We often neglect the fact that bees are dying and animals are being devastated by the impact of electricity. These are the actual consequences that we should be worried about. Unfortunately, I haven’t seen anyone discussing this aspect of the movie.
Closing Remarks and Next Steps
To wrap things up, the movie could have been much better. Regardless of whether you are a conspiracy theorist, the consensus is that it was poorly paced. The rationale for this is that the movie tried to fit too many agendas into its storyline, ruining the experience for viewers.
We need more movies that uplift and nourish the soul rather than leave us feeling negative and defeated. Movies should inspire and elevate our spirits, but unfortunately, as stated earlier, this particular movie, and recent movies in general, have an agenda to push.
It’s important to realize that we have been exposed to many occult and esoteric information through predictive programming. For those unfamiliar with this aspect of reality, it can be challenging to differentiate between the truth, the demonic elements, and pure fantasy.
Predictive programming is a natural phenomenon, and I discuss it extensively in my work, particularly in The Brave New World Of 1984. The takeaway is that we need to understand that predictive programming — suggesting that specific events will occur in the future — is a powerful tool. We should be mindful of when this programming is being used.
If we examine the concept of predictive programming, we could start with the events surrounding 9/11. There are instances of the event being depicted in movies and media before it happens. And so if we look at this movie, LTWB, there’s the scene where an actual event happens in New York, as we have seen in other works of art. However, this movie’s event is on the scale of an atomic bomb.
PS: Why is it always New York? Is there a correlation between liberal states and agendas? Interesting to think about.
Earlier, we talked about how atomic bombs may be solely a narrative, and if you believe that narrative of an atomic bomb, you’ve now been introduced to the idea that an atomic bomb could go off in New York. However, if an event were to occur, these could be actual airstrikes or drone-manned missiles, but the narrative could be that these bombs could be shown to the world as either atomic bombs or alien attacks. That scenario is now on the table.
We talk about this in my podcast: Are we under a satanic attack? The idea is that aliens aren’t real, but with the advent of deep fake technology, which I cover in my article, The Art of the Deepfakes if we’re seeing bombings via social media and TV, how would we know if there was an actual bombing or this was an alien televised deep fake event?
Throughout historical events like Hiroshima, narratives and stories can be told. And that’s another big takeaway from the movie — predictive programming makes it easier for the public to accept specific narratives (i.e., planes flew into the towers since it’s been shown in countless movies) vs. exploring other narratives (i.e., bombs were planted in the towers and then detonated when they went off).
If you don’t know that the media and government will lie to the public, one can say there is an extremely high level of naivete in that thought process.
Let’s take this information into account and prepare accordingly. If an attack is imminent, we must determine what that would look like and how we can be prepared. We cannot simply dismiss this as “cool” information to share on social media or irrelevant information to bypass.
We must consider the implications of such an attack, especially, for example, with bills pushing for the use of electric cars, which could potentially be vulnerable to hijacking. As the movieweb.com stated in their fear-mongering quote, “It is estimated that 90 percent of America’s population will be dead after only one year if a solar EMP (electromagnetic pulse) knocks the electricity out”. Essentially, we’re all going to die.
The good news is that we were warned per se for something that could occur, so we can also come up with solutions. The good news is that humans are resourceful and always find ways to overcome challenges. And no matter what, we get told to be scared next from a doomsday perspective — first, climate change, which is nothing but a way to earn profits, to now it being an electrical grid shutdown as Obama has been trying to push — humans always survive. Humans always thrive.
As we debunk many of these fear-mongering techniques, like climate change, we realize that human energy is stronger than we know. We can take movies like this, take the information it gives us, sifter through all the distractions and useless fallacies, and arm ourselves on what is to come. By understanding the manipulation imposed on humanity, we can realize our true power and make our experiences with our loved ones more meaningful.
If you have any questions or want to explore new topics and see the world from this positive perspective, I recommend subscribing to my substack. By becoming a paid member, you can access more in-depth discussions on topics like this.
Additionally, I suggest reading my book, which serves as an introductory course on similar issues. Once you understand the concepts in my book, you’ll have a solid foundation to explore other aspects of reality that I discuss in my paid section.
Recommended Reading: The History of You: A Book That Connects the Past, the Present, and the Future
Thank you for taking the time to read the review. Please let me know in the comments below if you have any questions or feedback. Thank you for your time and attention.
Ashe.
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Hadn't considered the electric grid effect theory...movieweb.com theories are all plausible reads of the film. You're on the money attending to narratives - but my take is it was VERY coherent because every element presents a condensation of the social justice ideology narrative so that it's CRT meets Red Dawn: the chaos and nuclear bombs are not the tragic ending - Rose unwittingly succumbing to her mom's Whiteness delusion in the bunker is (Whiteness: capitalism makes white views unseen natural commodity).
The film depicts the Robin DiAngelo white fragility, CRT, and 1619 project criticism of US capitalism and democracy - it served white people to the point they are disturbed by marginalized people (lost father scared of Spanish-speaking woman warning him) and degraded Nature (polluted beaches, white people unnerved by nature's silence, animals etc.), and their only way to cope is consuming more fake food and media via ill-gotten wealth, like Rose, who gluts herself on junk food and keeps deluding herself via White media (Friends) in an ill-gotten rich prepper's bunker. Filled with capitalistic cultural appropriation no less, literally feeding off of the images of black people, native Americans, etc as comfort during their own constructed crisis (foreground in focus contains food brands that portrayed African American and Native American stereotypes: Aunt Jemima, Cream of Wheat, Indian Head White Corn Meal, Injun Orangd drink mix, Barilla pasta (ceo made homophobic remarks), Dixie Beer, & Trader Jose's Mexican Beer)). The stories white people tell themselves (Friends) are lies, just manufactured nostalgia for 'a time that never existed' (Baudrillard's simulacra, Plato's cave). Hence, white people 'Leave the World' (actual people and Earth). Tells how whiteness is an oppressive, alienating, capitalistic construction as Julia Roberts exits a store called Point Comfort.
Basically, the Robert's opening monologue shows she unknowingly hates people cuz her white society constructs her to be that way (internalize her oppressor role), which she gets by the end (sort of?). The white male dad is totally lost, afraid, in a vast landscape when all he needed to do was look thru trees to the city being attacked. Our enemy is not Iran, North Korea, Islamic terrorists - it's us white people and systemic racism. Rogue military exploited that delusion via Arabic pamphlets. The mass delusion the mom references - Lippmann's pseudo environment, Chomsky's manufactured consent, Marx's false consciousness etc. - misuses psychiatric terminology to Other white people culturally. Basically, maintaining whiteness is cultural suicide, but still comforts White people from the problems their dominant systemic narratives tell about themselves. The renting white family lives on top floor while black family who owns the house lives in basement (the oppressor/oppressed binary). Boats, planes, and deer/flamingos crash in on them, then the mom and black daughter turn primal and go crazy, yelling screaming like an exorcism - capitalism deludes and alienates them and their labor from their Nature. Whiteness benefits only white people even in self-created crises. Cynical take on race and market relations in this film.
Ha ha, interesting, because I just published mine last night, albeit, a tad more scathing, and much less cerebral!
https://myriadmike.substack.com/p/movie-review-leave-the-world-behind
Cheers!